Experimenting

Thursday, June 12, 2008

See whats happening

How could I leave this chair sitting on Craigslist?  I waited one month to inquire, then talked myself out of it, then waited another month and the owner still had it.  I went crazy over it when I first saw it so I'm thinking it was meant for me to have it.  Its not the most comfortable chair but it'll do for short spells.  I use it at the computer at the workshop.  I picked up an older and much used cordless iron yesterday that I found on Craigslist.  It works great for me to iron on my cutting table.

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I washed out the green fabrics dyed with iDye Tuesday.  The fabric on the left is a poly-cotton blend that I previously used last year when I was experiementing with transfer dyes (which are not for me).  The iDye worked well with the transfer dye which are the graphic lines.   The fabric on the right is a blend also but a mystery...it feels like linen but behaves like spandex.  I'm thinking there is more natural fibers which accounts for the loss in colour.

From this

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to this

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I returned to making the panels for my Poetry Series.  I used the back of the fabric I painted with the acrylic paint mixed with the GAC 900 because it shows more texture.  I'm adding the circles here with regular fabric paint and acrylic ink.

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Peace

Friday, June 06, 2008

She Who Holds Tomorrow

It all started with a writing prompt that Crystal gave on magical realism and wondering what I could come up with in fabric.  I sketched out some ideas and although She Who Holds Tomorrow was my less magical, she was the one that began to send me telepathic messages...in the original sketch there are huge vases behind her that she asked for, then I decided to embellish the vases...then she asked to be made in cloth...I said hold up, you'll have to wait. 

She Who Holds

Yesterday was her time...it was the 2nd day this week that I couldn't focus...felt tired, mentally blank, so I piddled instead of beginning the third top in the Poetry Series.  Ran the screens on a sample cloth, then made more marks on the cloth with Nsibidi writing using Indian Ink with the fine line writing tool.  Mo came home yesterday from her intro to Pan African Studies class asking about Nsibidi writing. It just so happened that a few months ago I had ordered a book on African writing systems and had read about Nsibidi writing so that was kinda a cool connection.  The writing on cloth became so good to me that I started making up my own marks.  The cloth ended up redeemed because the screen printing I did on it was a bust.  In some spots the drawing fluid wasn't thick enough so the screen filler filled in places that should not have been. 

Then I turned to my first sketch of She Who Holds Tomorrow and did a small exercise of her in Tsunikeo Inks (I know I just butchered that spelling) and prismacolour pencils.  This is just a practice on a piece of fabric that measures 8 inches by 11 inches.   

Grace asked about the drawing fluid and screen filler and whether or not she could use just the polyester mesh screen without a frame by taping the mesh around the edges...since I'm not an "expert" I would say go for it and try it...On Jane Dunnewold's Complex Cloth DVD she fuses tulle between two sheets of iron-on stablizer...she also demo'ed this on an episode of Quilting Arts.  I like the weight that the frame gives me, making the piece feel more stable when pulling over it.

Last night I dreamed that I flew to Accra, Ghana to hear a concert given by the UofL orchestra.  I was with Estella, a long time friend.  After the concert was over the very large group went to sit on the steps of the concert hall to watch a very elaborate parade of floats on water that ran in front of the concert hall...Beyond the water I could see the urban sprawl of Accra with buildings in salmon, yellow, fushia and trolleys and busses and huge long blocks of vegetable and fruit stands.  Estella had a Nikon D40 and I had my camera and we both where taking pictures of the parade and then of the areas beyond the water.  So I'm wondering now if She Who Holds Tomorrow is from Ghana????

 

Monday, December 03, 2007

.05

Img011 sigh. I'm playing a waiting game to hear some news coming via a letter.  I've been anticipating this letter since Friday.  It didn't come today so I made a phone call which relieved me of most of the anticipation.  The address was wrong so hopefully I'll receive it tomorrow.  The anticipation has been so intense that not hearing about my camera (a week overdue) is a small matter. I made a promise to myself that I will not jump the mail man tomorrow.

The was some random sewing I did today using scraps only.  It kept my mind occupied and not thinking about anticipated news.  The colours and the prints made it exciting to sew.  Thats my hand writing  and a stanza from one of my older poems on the center fabric which you might recognize from the quiltlets some post below.

Monday, November 19, 2007

1

Next week at this time I hope to receive a call saying my camera is ready to be picked up. 

Img008_2 I had a touch of bronchitis last week and did this small piece (5"ish by 7"ish) last week to keep my mind engaged.  It says Spring to me. It says, can't I just close me eyes and sleep through winter?  It says wake me when these colours are in season again.

The borders are slightly wonky and not straight.  Its going to hang in my kitchen after I paint a canvas and mount it.  Today I'm going to doodle with thread on my sewing machine.  Its a play piece.  I'm going to time myself in 10 minute intervals and I can't stop the machine until the 10 minutes is over.  I'm only giving myself a minute between each 10 minutes and that is to change thread (my only pre-doodling decision).  The piece of painted fabric is the size of a legal pad.

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Making a Way

  • Over the desk again
    The beginning of transforming the basement into workable studio space for myself.

Higher Ground

  • Planks
    Mary Anderson Center for the Arts has been fertile ground for over 20 years,...fostering my creative life in both poetry and fabric. Situated in rolling knobs in Southern Indiana, the place provides higher ground, literally and metaphorically, to write and construct quilts. Only in the last few years have I started to photograph the spaces I inhabit during personal retreats and studio time.