Seamless Skin

...And Still I Rise

Update

How good it feels to write a new blog post!!!!  How good it feels that Spring is here!!!!  

Louisville is #3 in the nation for the worse pollen count.  It wrecked a little bit of havoc on my lungs in spite of the emotional uplift the warmer temps gave me.  I just kept yo-yoing with chest crud until I had a brief 4 day stay in the hospital.  In between feeling good/feeling bad I kept plugging along on the boats...

Happy to report the hand embroidery is done and it is ready for quilting...but here is my plan...to continue on to the next quilt(s) and then sometime in mid summer go hog wild, (bat crazy, mad cow) with quilting all the tops.  This year's goal is all about production (don't get too excited...I work slow even when I'm fast).  My goal was to have the "boats" completed by the end of Feb. and it didn't happen until mid-March.  

You may recall me mentioning that my sewing construction studio is in storage due to my mother moving into senior housing.  For months I considered renting a 2nd Mellwood studio to set it up once the storage contract ends.  I turned over the idea of sharing a 2nd space, subleasing, etc.  It was my anxiety talking over not having my design board, fabrics, sewing desk that holds my main machine, etc. accessible.  I spent the first part of this week clearing the studio to make room for at least my sewing desk and to begin the next quilt with the attitude of "making do equals can do". Peter and Ade will haul through the storage unit and pull it out and deliver it this weekend.

Yesterday I actually sat down to begin the preliminary studies for the next piece.  Two of the three studies I finished...one is a thread sketch, this one using tsukineko inks.

The next one will be raw edge applique.  While doing them, the question in the back of my mind is "how can I make the imagery more abstract and still capture the event?".  It  will be a Kentucky Derby quilt.

Blog Love

I don't remember how I stumbled into Karen Walrond's blog and website, Chookooloonks.  I think maybe her book, The Beauty of Different, kept coming up on Amazon's recommendations.  She offers an on-line magazine workshop that offers gratitude prompts with photography prompts called Gratitude 2012.  Karen is an award winning, jet setting photography whose blog exudes kindness, humor, and beauty.  I enrolled in the workshop yesterday.  It is 5 dollars a month and 40% of the fee she donates to Kiva.  

Also, yesterday I discovered the website (thanks to Pinterest) and blog of fiber artist Diane Melms.  I've always wanted to improve my photo-documentation by showing the process involved in completing a piece from start to finish.  I think I'm too wordy to be as succinct as Diane or as succinct and poignant as blogger Judy Martin, another blogger I enjoy reading.  

Wrap-up

Time for a change.  I've been with Typepad now since I first began blogging back in '04.  This is a fee based blog and I'm at the lowest level.  In order for me to customize I would have to jump up to the next fee level and that ain't happening.  Blogspot offers customization and it is free.  My hold-up is anticipating the learning curve (the headache) of moving content.  This will be a goal for April.

Tonight is F.A.T. Trolley Hop.  I will not be having Open Studios but will be around with Carter, my 3 y.o. grandson and Anaya my 2 y.o. granddaughter for a few hours (at least this is the plan) visiting the other studios and galleries at Mellwood.  

 

Basketball, Art, and Breakthroughs

My weekends are anchored by little league basketball. Both of my grandsons, ages 3 and 5, are playing. Before it turned cold (although today it was 61 and sunny, reasons for it be damn, ya know I wasn't complaining!), I was taking the 5 year old to his bus stop in the mornings and after his bus arrived, I would keep on going (most days) to the studio.

I took much of December off and January's days were filled with more Nana duties in the day and evenings with the other 2 grand-delights.  As much as I love them, there is a very good reason for menopause...50something year old women should NOT have day in and night in care of small children.  But we now have daycare!!!!!!!! (and the crowd goes wild!!!!!!!!!!).  So now Nana and Papa just have the evenings with them. Ahhhh, much better.  

Last Friday was an art reception for Hope and Healing. Twenty-one artists donated work to a non-profit that serves women, men, and children who are victims of domestic violence and sexual assault.  I sent Urban Exodus (formerly Urban Egression) on "permanent loan".   (excuse the bad photography, it's the camera's fault ;D )

Carter and Anaya and my Mother went with me.  I could not have had two toddlers in tow without my Mama's help!!!  Here is Anaya saying "look look".  This is the only quilt she responded to...It is a Penny Sisto quilt.

Carter was going through the exhibit saying "wow, wow, wow".  It was mostly abstract work that he liked...the few he said he didn't like were realism in landscapes.  Here are snapshots of the two that "wowed" Carter the most.  

The work on top was created by Keith Kleespies and my apologies to not remembering or being able to find the artist who created the work on the bottom.  

Negotiating Territory is now hanging in the newest gallery at Mellwood, The Kore Gallery.  It will be there until the end of March or April.  

I'll be returning to some semblance of what passes for normal at the Studio.  I was there today for 6 hours...5 of which I hand embroidered 8 of the boats for a total of 13 completed...only 164 more to go.  I have to mentioned a breakthrough I had while stitching (Obama is going to beat the pants off of ANY republican candidate! okay, politics aside).  My breakthrough was this...I had been isolating embroidery thread colour within colour segments on the boats...and then I thought, why not use the thread across colour segments...use the thread to bridge the segments...here is my breakthrough in a picture: 

Valerie C. White, Artist Interview

Valerie White in her studio (2009 Courier-Journal Photo Image)

Karen Davis:  Describe how your childhood as it relates to your art making and creativity? What were your influence and how do you think growing up in Somerset, NJ influenced you as an artist? 

Valerie White:  I grew up in Somerset New Jersey, then a very rural town in the northern part of New Jersey.  We had chickens and ducks, Mom and Dad always had a big garden.  It was their love and appreciation for the earth that will always be with me.  They valued the opportunity to grow food and we always enjoyed fresh vegetables the entire year.  The last series that I did, “Earthworks”, was all about my relationship with soil. The beauty of the root system held a particular fascination for me.  

My early memories of trying to make art include attempting to create ceramic bowls from a natural clay deposit that was in the front of our house.  I even tried to use our home oven as a kiln.

Sometimes I would gather weeds to fashion a kind of primitive weaving.  Recently, I asked my Mother why I didn’t have dolls growing up. Her reply was that I was always drawing or making something and never asked for a doll.

KD:  What are some of your memories growing up with art?  When did the interest become an engaging one? 

VW:  My mother sewed Couture garments and practiced exceptional craftsmanship.  That made a lasting impression. My early interest in Art was nurtured by some really good teachers. I took all of the courses that were offered in my small town.  I received a scholastic gold key award in the 11th grade, that affirmation is all I needed to decide to study Art.  I taught Art for 15 years in DC public schools.  It was a rewarding experience.

Sun Goddess and Green Leaves, 2008 (c), Valerie C. White

KD: What led you to your choice of medium(s)?  What/who were your influences in those mediums?  How do they relate one to another, if so?  What other mediums have you attempted? 

VW:  I studied many mediums before arriving at fabric. While at Howard University my second major was ceramics.  In my sophomore year I changed that to Graphic Art and Printmaking.  My work has some of the sensibilities of strong graphic art imagery.  As far as influences in ceramics it was Winnie Owens and Martha Jackson.  In Graphic Arts, Winston Kennedy.

I was blessed to study with some of the most important voices of the 20^th century.  My professors were on the cutting edge of developing and defining the new Black aesthetic to include: Lois Jones, Starmanda Bullock, Ed Love, Wadsworth Jarrel, and Jeff Donaldson.

KD: Describe your daily art making practices.  Include how your approach to design.

VW:  I try to work everyday.  Recently, I hit a dry spot...seemed I could not focus or decide what I wanted to do next.  However, I continued to work through it.  I’m better now and on to some new work that I’m excited about.  I like to begin by doing some research on my theme or subject followed by a small watercolor of the intended piece. That seems to work for me in that way I can work out any problems early in the planning, which doesn’t mean I don’t have any problems in the piece later but the extensive planning does cut down some design issues.

Sun Goddess and The Blowing Leaves, 2008 (c), Valerie C. White

KD: Artistically speaking, what challenges did (do) you face and how did you (plan to) overcome them?   

VW:  While in my “dry spot” I spent time looking at work of artist that inspire me …Lois Jones, John Biggers and Wadsworth Jarrell.  Sketching some really lose ideas and concepts for potential piece.  Often I will just turn on the sewing machine and quilt...it frees me and once I get in the zone I might get motivated to see something else.

 KD: Do you work in series? Or does each piece stand alone?  Share your reasons for either approach. 

VW:  I really like to work in a series.  It sort of directs my thinking and gives me a course of action to follow.  I find that a series is an opportunity to explore a topic.  Using a variety of techniques can offer new ways to present age old subjects.

Sarah and Bird,  (c) by Valerie C. White

KD: Share the milestones that mean the most to you as an artist. 

VW:  When my work, The Guardian, was selected to be on the cover of “Quilting African American Women’s History: Our Challenges, Creativity, and Champions” written by Dr. Carolyn Mazloomi I was thrilled! The book is filled with many wonderful works.  I felt proud to be in the book much less to be on the cover.

The exhibit that has meant the most to me was the Quilts for Obama show at the Historical Society in the District of Columbia. The exhibit was created to welcome President Obama and his family to Washington DC.  The opening was the weekend prior to the inauguration and the city was alive with hope and pride….it was an electrifying experience and I will never forget it.

KD: Whether it is the intent of an artist to become an entrepreneur, artists are thrown into the role the first time someone wants to purchase something they’ve created.  What advice can you share that speaks to the business side of art?

VW:  I’m  just now understand how that part of making art works, I had to pay taxes last year on the work I sold.  Finding a good accountant that understands how I need to operate has been most helpful,...my advice would be to find a professional.

KD: Which Artists and/or Art Movements hold the widest influence on your art? 

VW:  My favorites are John Biggers, Lois Jones, Wadsworth Jarrell, and Elizabeth Catlett. I seem to like what was done post Harlem Renaissance and find my self emerged in the African- American experience during that period that would also include the works of writers as well.

KD: You are a member of a critique group. Is this something you would recommend for other artists? Why? Or why not? 

VW:  I am a part of a very successful group of Quilt Artists that inspire me to challenge my self.  We support each other in creating the best work that we have the potential to create .The emphasis is doing your personal best.  I think a critique group is good provided the group allows you to create in your authentic voice. The critique group should not be a cookie cutter for making art and should exist to promote the very best work from each of the members. The group I belong to has only 5 members and we find that it works well for us, we meet once a month and on occasion will schedule a play day to explore new techniques.

Blest It Be the Tie That Binds, (c) by Valerie C. White

KD:   What are your future goals and what should we be on the look out for you in 2011?

VW:  I am working on series that I am most excited about. I will be ready for show and tell soon. I will keep you posted.

Please take the time to view Valerie White's Art at her Gallery of Quilts.

Gallery of Quilts

Leo Weekly Profile

Subversive Stitchers: Women Armed with Needles

Stitching Woman Gonna Work It Out

I've been going back to older thought-it-was-completed work.  The crow was just a study though that Valerie White said I needed to complete when she saw it last year.  Can you see where I'm going with this?  I had no idea I would release the crow from the rectangle...it was impulsive on my part and while cutting I thought this was the seed from Penny Sisto that was beginning to bloom.  The crow doesn't work against this blue but I have a orangey-red silk that I think would work as a surrounding back ground.  I'm just not willing to sacrifice the silk if I don't have a clearer picture of what is happening with Mr. Crow and until I do it will sit yet again.  

 

This is 'Round Midnight.  I blogged about it over a year ago, but knew it needed something more.  I added the red circulars but failed to check value before stitcheing 3 of them.  It is the brighter section of the varigated thread that gives some contrast.  I think I have a solution but I'm going to stitch 2 more circulars before attempting to work it out.  

The motivation to go back into older pieces is coming from an upcoming display in the fall at a coffee shop and I want more coffee house friendly pieces...about 10-15.  

Urban Egression at the State Fair

I will not be going to the fair until the end of next week but thanks to Mary Cartledge Hayes for the preview. 

Altering Quilts and Awards

This quilt belongs to the poetry series but I wasn't happy with it when I completed it and over a year ago. I'm still not happy with it.  For one, I've ironed the heck out of the middle section at the bottom and that crease will not come out.  Two, the vertical seams are not straight and that bothers me for this piece. Third, the horizontal strips need to be narrower and the colours are slightly off for what I intended.  Maybe if they had been narrower they wouldn't distract me.  What I love about the piece is the fabrics I created  (with the circles and writing) and the colours of those. 

These are the thoughts I have: One, cut them into three individual pieces, (see below). Two, cut it into postcards; or, three, make my first journal covers or small purses.  Since I'm not attached to this piece I'm open for suggestions.  (There is prolly someway to add a poll feature, but I don't have the time to investigate).  Leave your ideas in the comments...and peace :)

Postscript:  The above post was a draft I wrote yesterday for posting today but since last evening, my fantastic news that was announced at the LAFTA meeting is my quilt, Urban Egression, won the LAFTA award in the Fine Arts division/Constructed Textiles category.  The jurying process was a blind one with 3 jurors from the organization.  I haven't attended a meeting in months so it felt like divine guidance for me to have the energy and inclination to attend.  I instantly had goosebumps from head to toe.  I have the image upon my FB photos, but I'm on a different computer right now and will upload the image later.  Again, Peace...and have a super fantastic weekend!

Crowbonics 2

Lucky for me, my washing machine went out and yesterday I went to my parent's house to do a couple of loads of laundry and thus had an extended time period at The Basement Workshop!!  I auditioned fabrics for what will become Crowbonics 1.  It will include one of the laminated fabrics created at the Crow Barn.  I found the perfect medium gray fabric and I'm thinking about doing a little bit of discharge on it to get some subtle colour change and movement behind the laminated sheer.  Discharging is a technique I personally do not want to use much to avoid health risk.  Jacquard's discharge paste is my tool of choice whenever I do.  And up to this point I've only used it to experiement with and then used it to create a design on a 1/4 yard of fabric.  I've seen a colour remover by Ritz but have not experimented with it to know anything about it.  I'm needing to remove just a little colour without any hard edges in order for the gray fabric to work for me.

I also spent some time quilting the piece shown at the top of this previous post.  There is still 2/3 of it left to quilt but as B.B. King sings "better not look down...just keep it moving".  One day I'll look up and have a plethora of quilts I love and will not know what to do with!

Here are 3 more laminated pieces that I did while on retreat...pieces that I hope will become focal pieces in the Crowbonics series.  (I have at least 3 series that are on going and just flow in and out of them depending on where my mind and heart are and what my body can handle.  If you create series work, how do you go about it?)

 Please keep in mind that these are all in process or experiments and not viewed at completed.

Yesterday I started burning into the piece below which is where the white shows through.  The white is from the lid of the scanner.

 

What I did during the mid-40 degree F heatwave

Ade and Peter are on vacation and I've been more home bound and hanging out with them eating ginger snaps and watching movies and lounging and running about.  Peter takes the whole month  or most of December off and this vacation has been sweet and low key just the way I love them. 

Yesterday I did take advantage of warmer temperatures (mid-40F) and head to my Mellwood Studio.  I worked on felting the scarf and Peter hung my curtains there before he and Ade went on their merry way and left me to my own devices. 

The scarf has a long way to go as I want to kick back the way the colour is laid out all wild-like with a little bit of order with the next layer of wool or yarns or cheesecloth or organza or...

The colours are more grayed in this image then they appear off camera.  A hot magentas and rich violets are the actual colours.

The Mellwood Studio is coming along and by spring it should be more work ready.  Peter hung the curtains for me yesterday and it makes it a tad bit more homey since there are windows all the way around except for my direct neighbor who has peg board up on his side.  I'm trying to come up with low labor way to cover up the peg board...I'm leaning toward decorative paper on those windows. 

Three of my quilts and framed poetry by Estella soften the pegboard but I'm thinking a light coloured decorative paper would bring some light into the space and not distract from what ever is displayed in front of the window.  The back corner is my "working" and storage area.

Estella has more framed poetry and her books in the window.  I like to watch the people who stop to actually read the poems. 

The African panels belong to her also and came back with her from various central African countries a few years back.  You can see one on the back window in the photo above and the other 3 in the photo below.  The panels are for sale but I'm not sure how much.  If you're interested, just email me and I'll find out.  On the shelves below  the window is an exhibit of Memory Boxes by Henrietta Box Brown (email me if you get this one ;) )  and they juxtapose an historical memory with one contemporary. 

And this quilt, lord, this quilt was started some 14 years ago and it still is unfinished...its a quotation quilt.  I released it from its unfinished project bag and hung it over my quilt frame for inspiration.  It was started for a birthday gift and the intended receiver has seen many birthdays come and go and its still not complete.  I want to hand quilt it. 

My muscles and joints have not let up in pain since mid November.  In addition to reading to keep my mind off of the pain (I really need to review here The View from the Studio Door by Ted Orland, digging this! and Screen Printing by Claire Benn and Leslie Morgan...outstanding!) I'm perpetually giving praise for the blessing of being able to create art in my life as a triumph over the pain...keep on keeping on and have a wonderful Kwanzaa and Holidays!

Peace

Small joys; Great happiness...

Most of my handiness goes into the making of art that when it comes time to get it properly photographed, hung, and even submitted to exhibits, I find I'm left deft and confused and tired.  Multi-tasking has never been my strong suit and in fact I find it over-rated.  The ability to focus and concentrate deeply on several closely related tasks is my gift (although in the last few years this has been challenged).  I'm a slow thinker...it takes my brain a while to shift when its time to move on to another topic, task  especially when it is a shift from generating creativity to pragmatic matters at hand.  Thats the way I'm wired but I keep trying to learn to re-wire some parts that will allow me to complete the cycle of productivity.  I don't know why I'm talking about this here other than to say I've spent most of the day thinking about how to display 4 small pieces.  I want them matted and framed but without glass covering them.  From there I think "I should learn to mat and frame my own pieces".  From here I jump to "but damn, thats just another thing to learn and there is only one of me".   I know, I know, I make myself crazy this way...but it always comes back to the thrill of the process of making the art and this is where I want to use my time and resources and all else let come what may and I'll deal with the consequences. Its is especially sweet and its own reward when I create pieces I love such as the pieces below.  I forgot I had a 12"x6" series going back in the summer...it gave me joy to uncover them.

Crossroads

Sunset (how cliche a title?)

 
Copper Sun

Kindling

Peace,
 

Groovy People

Recall Lou Rawls singing that song, Groovy People?  It describes my time spent in Athens, Ohio and an impromptu visit into Yellow Springs with 3 good friends.  My brother and his partner, Crystal, have been telling me about Yellow Springs for a few years.  I left here on Thursday for Athens thinking that Yellow Springs was on the opposite side of Cincy and out of the way.  I picked my friend Bev up and the first thing out of her mouth was "would you be interested in going to Yellow Springs?"  A quick flash of Thelma and Louise in my head and the answer was yes.  Yellow Springs was too short but we did make a couple of gallery connections thanks to Bev come what may marketing style.  Bev is not a fiber/textile/quilter but she is a highly imaginative artist who works in several mediums.

We arrived in Athens Thursday night and just chilled out.  On Friday, Kel, clay artist who is currently working in precious metal clay, and Dee, masterful story teller and poet joined us on Friday.  Whenever we're together there is always plenty of gab and laughter.  Family, art, health, politics, movies, tv, work, books, the usual.

Friday's highlight was the bead shop Kel took us too and it was a pretty damn awesome shop with wonderful customer service (the shops here leave me cold when it comes to customer service) and the diversity of items this bead shop has is lacking in Louisville shops.  I'd have to run around 3 shops locally to find half of what this shop had in inventory. 

Saturday morning we spent hours at The Diary Barn oohing and ahhhing...After the first round of viewing Bev had us go back around and pick our favorites for 4 catergories...of course I took notes but since then, they are lost...but from what I'm recalling, I had selected these 3 for the 3 of the 4 categories (can't remember them either):  Tunicates 1 by Andree Fredette, Nothing to Fear by Susan Else, and Architectural Squares by Christine Tedesco.  As a group we spent a considerable time in discussion on Africa Scarified IV by Sue Ackerman, Ruffled by Jessica Jones, Communicating with the Past by Aaron McIntosh, Little Fish in a Big City by Kathy York, Nothing to Fear by Susan Else, Quilt Drawing #9 by Daphne Taylor, When Nature and Industry Collide by Christine Milton, and one that I thought was entitled Eating Roses that made a direct feminist statement but I do not see it on the QN page.

Bev most frequent question was "what makes this a quilt?" and pushed the question about what materials she could use to push the definition further from the center and toward the edge.  Sunday morning Bev posed the question to us about which quilt was still the most memorable and for me it was Nothing to Fear by Susan Else (at the base of my memory lies humour), for Kel it was Ontario Quest Triptych, for Dee it was Ruffled by Jessica Jones, and for Bev it was Quilt Drawing #9 by Daphne Taylor.  

I did not buy the book but I'm trying to recall 3 quilts...one was done in shades of gray and had a pyramid and a cross as motifs and the other was a close-up portrait (small size) of a friend who passed away from cancer and another portrait (large size) done in yo-yos that had been painted over...if anyone can tell me the names of these 3 pieces it would be appreciated.

The bead shop is in a house in a residential looking neighborhood off the path of downtown Athens but close by a church turned art center.  Another must stop gallery is Passion Works Studio which is a studio/gallery of works by disabled and non-disabled artists.  Having been intimately involved with the start-up of a similiar group in New Albany, Indiana, I'm always most interested in artists who are disabled as well as how arts programs reach out to non-traditional audiences.  The highlight of dining was The Star of India which was right across from a Mexican restaurant that we ate at the day before.  This is the only photo that immediately struck me for a blog post since photos are not permitted of QN. 

This is turning out to be a season of opportunity...I'm considering an invitation to do some demo'ing at a gallery in Yellow Springs along with showing some of my work during gallery hop night...just have to weigh the initial investment cost over exposure and potential sales.  Also, Lisa Engelbrecht, author of Modern Mark Making will be here in October leading a 2 day workshop, and I'm going to be a resource artist for Kentucky Foundation for Women August 6 in Elizabethtown, Kentucky...for more info, go to their website at www.kfw.org . 

As far as taking time to rent studio space to dye fabric for a month, I'm now undecided...just have to repriortize.  Is this the time to place my resources in process and materials, education, or exposure???  I'm giving myself 10 days to weigh it and will then make my decision.

Retrospective in Photos

 

First, a cuppa tea. 

 

My assignments from online workshop, Graffiti Chic with Alisa Burke.

 

And I thought it was finished.

 Six by Twelves in the making.

The 5 images below summarize our staycation week activities.

 

Jefferson Memorial Forest

 

One of the many toys made by Marvin Finn for his children when they where young.

 

Another early Finn toy.

 

This is a small representation of what Finn is famour for.

 

Mr. Finn, I believe painted by his son, who carries on his legacy in wood.

 

Such an elegant shape in glass.  The five above images were taken at the Kentucky Musuem of Art & Craft.

 

Family Funny Business at Lynn's Paradise Cafe.

  

A day trek to the Columbus Zoo

And finally...what is this?  I picked them up from the ground at Yew Dell Gardens.  Some type of conifer?  I'm in love with the shape and colours.

The Piddlin' Peddler

My confidence has taken a dive.  My emotions have been bouncing up and down like the weather..."life stuff", the bittersweetness of it all.  I'm also wheezing and experiencing some heaviness in my chest so I've had to up the breathing treatments and rest more than I typically do.  I'm always the most vulnerable when the seasons change.  So the few days I've been at the workshop I've piddled.  I seem to have lost the grove for The Poetry Series at the moment...I didn't want to approach it with the funky dragging moods I've been in.  In order to be gracious with myself I thought I would dip and dabble around...so I pulled a book fro the shelf on collage and thought I'd work through it slowly, not with any sense of urgency...afterall, collage really isn't what I do, so whatever I end up with would be okay. 

 While working on this I thought about paper quilts or paper and cloth quilts.  Possibly another piddle day I may quilt this.

On another day, I gave in to re-organizing but really only manage to move clutter from one table to another, so I opted to sit down and read and listen to music...really listen and allow the music to carry me away...I was vibing with jazz violnist Regina Carter.  So that was this past Saturday. 

Today I thought I would play around with free motion embroidery and free motion quilting.  This is very different for me...again, just piddling and practicing.  My flower looks like it has the chickenpox.  Again I was playing Regina Carter and added Herbie Hancock to the mix...I really wanted a bottle of wine to accompany my groove with the sewing machine, but since I drive to come home, that wasn't an option.

 Inconsistency in speed paired with hand control delivers uneven stitching.  I did like the zig-zag stictching with free motion.  The threads I used were Isacord and Madeira.  Isacord really sinks down into the fabric.  Madeira seems to sit more on top.  My machine (Janome 6500) loved them both.

Here are two atc's I had left over and found when I moved my clutter around and if you'd like to trade with me, give me a shout out.   ummm, the image orientation is on its side...oh well, if you make atc's then you already know what size they are, right?!

I canceled going to Paducah next week.  I took a deep breath and called my sister to tell her I just didn't think it was feasible to push going financially in light of some other things I'm trying to cook up.  She kept the reservation and plans on dragging her husband over for 3 days and 2 nights (if I had the strength, I'd fall over laughing...she is optimistic but I really don't think that is going to fly).  We shall see, said the blind man.

Oh, and I the only one who is going wild over the HBO series The No.1 Ladies Detective Agency?  I ordered HBO just to watch this series...a big fan of Jill Scott, no surprise there, but I think its the secretary that makes the show.  Think of Murder, She Wrote with an African flavor.  I could just snatch Jill Scott's wardrobe for the show right off!  Simple, free flowing, yet great sophisticated patterning. I'm also tickled by the cartoon animation for the header and footer of the show so I did a search to find out who was responsible.  Those of you interested in graphic design might enjoy perusing the company's info...Airside. 

Peace to anyone and everyone who reads here...and as far as replying to comments, I'm going to change and try mainly to reply within the comment section.

Quilted poetry, (sit back and relax with a glass of wine or tea and read on)

Julie and Gerrie helped flush out the narrative in Quinlan's quilt that I discussed in the previous post below.  And I emailed Quinlan because I when I get a bee in my bonnet I need to get it out and move on.  Quinlan's response: While the last administration, I felt, used a lot of diversion tactics to keep the public and press misinformed as it pretty much tried to dismantle the country as we know it.  A kind of "Pay no attention to that man behind the curtain" Oz like feel. Also, you can read into it a slipping away of our natural resources, and this country's power in the world as well as our children's future. Yes, not a very happy quilt. Thank you Shawn for taking the time to reply.  I also spoke briefly with Kathleen Loomis who sponsors the award and she read it as an overall uneasiness and discontent with the actions and decisions of the former presidential administration.

The other two quilts that I deeply vibed with were Caesura #3 by Marina Kamenskaya...big swaths of solid rich colour in Red, Black, and Green...just vibrated; and a calmer meditative one, When September Ends by Peggy Brown...a softer palette of blues, grays in cotton and watercolour on paper.  The actual quilts I couldn't find but the links are to images of other work by them. 

The two quilts that intrigued me the most by virtue of construction were Crossover by Mary Ruth Smith and City Grid III by Valerie Goodwin.  They where both visually complex but spoke order.  

Form Not Function exhibit blesses me with the opportunity to see quilts of high caliber right in my own back yard and I always look forward to this annual show. 

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And from the workshop:

  I love sewing bindings...this is where I sigh with relief  of being finished and reflect on my processes and fall back in love with the fabric.  Most of my quilts still require sleeves and labels which for some reason are pains in the butt for me to do. 

The threads at the bottom in the top photo, the red thread and and the green,yellow,blue thread will possibly be added as embellishment...not sure yet.  The red fabric I'm still writing on it.  The piece below is something I started playing around with Monday.  I'm thinking I'll write with thread, hand or machine, I'm not yet certain.  The man is my FIL who passed away in 1995 but like my great-grandmother, he is still very much present with us.

 

One of the poems included in the community arts publication was written for Peter, Mo, and Ade to honor his passing.  Here is an excerpt:

2. Ten

One season in ten years

I witnessed your tears twice.

First, at the beginning of the Harmattan

When the nine were executed.

Moral decay of my people, it could have been ten

You whispered and swallowed.

Second, in the middle of the season, Christmas Day.

The call went through.  The line clear.  Your sister spoke.

Father passed away three hours ago.

Unexpected.  Sudden.  Distance.

From his bedroom windown he was looking for you.

Standing at the gate of the compound

He was looking for you.

    Rare does death not bring regrets.

Your manhood is not murky; your soul does not wane.

I have seen people unable to look you in the eye,

Who want your smile on your teeth instead of in your heart.

What you hold is what he has given you--intense light.

Benin masks of eternity reflect

Your piercing gaze and sealed lips.

This of your father in you

Needed to be here in Kentucky with me.

(The editors of A.I.R., Artists in Revolution will be looking into get more books published for circulation sometime in the future.)

Here is another painted quilt:

My soul rests in my quilts, the process of making them...I think it shows in my preferences for low contrast...other areas of life have enough drama. 

Painting Quilts and Politics

I painted two other quilts, one here, before I left the workshop on Monday to return home.  I believe its finished but I did bring a blue bead stew home with me, just in case its not. 

Shortly after the notion popped to paint the quilt, I thought of the Kemshall's title, The Painted Quilt.  This morning as I was having coffee with this quilt, I remembered Denise Furnish, a local artist, who paints on found quilts.  And then there is the High Priestess of painted quilts, Faith Ringgold!  If you happen to know Ms. Ringgold personally, tell her I'm waiting for the serious autobiography of her life!  As I've searched in my library and at Amazon, I've concluded that there is a serious void in autobiographies of women visual artists...where are the Arnold Rampersad's for women visual artists?!

Previous

Current

One of the exercises Laurie Doctor had the class do was writing black on black.  So I applying that to stitching I'm playing with hand-stitching black on black.  The back is acryllc felt.  The center square is a double layer of silk and silk organza that I'm scanned the writing exercise from the calligraphy class onto.  I'm going to try wrapping this around stretcher bars...the size is 14"x14"

My next entry, sometime before Sunday, will be share my impressions of the Form Not Function...so much great work year after year, sure would be nice if a catalog was for sale for this annual show!

Peace,

Impeachment off the table and now single payer healthcare...Sen. Baucus' reasoning made no damn sense!  This is where President Obama needs us to make him accountable as he, himself, requested!"  Healthcare Lobbyist sure know how to spread the "love" in Washington, don't they?  This will have to be a grassroots efforts yall!

Woman disposes; Spirit proposes

And this IS working with a plan!  (Or maybe this IS as much as I can plan?).

Here is the quilt after I finished quilting it.  This is hanging on the 8 feet wide design board.

In writing my observations at this stage I had some definitely-do-different next time ideas but it was the puckering in the green panel that grated my last nerve...so I decided to cut out the red and the yellow for 2 seperate smaller quilts.  I came to this idea quickly as a result of having prior study work with these:

In my last post I wrote about having an interesting background and the piece not being successful as the whole quilt as a focal point.  Yesterday I used one of my spirit images and stamped 3 times in the upper left hand corner in dark blue...made me bounce and then a scene from the book Beloved came to me...child size ghost hand prints on top of a birthday cake...so I stamped a child's hand print in 2 sizes leading to the ghost heads...I was NOT bouncing....all I could see was those turkey drawings made from the imprint of one's hand.  The longer I looked at it the longer it offended me.  I didn't even want to be reminded of this disaster by cutting the piece into postcards.  After some deep breathing and meditating I heard the words "painted quilt".  Immediately got up from the comfy chair went to the cabinet and with not too much deliberation picked up the blue paint...don't believe I did it, do you?  Well let me layout evidence article labelled #1025 before you:

 

Then Sam Gilliam's pieces came to visit me...3 pieces I saw in his retrospective show that where solid colours that encouraged me to explore monochromatic pieces.  I was dancing and singing...I was barrackin'!  Settled down to meditate on it and my cheeks carried the weight of my smile and then from out of nowhere I got up and stuck this scrap that was on the table from another piece and stuck it onto the piece and I thought I was going to have to lay back on the pillow and smoke a cigarette after my heart returned to its regular beat.

 

I love this!  Ilovethis!! I LOVE THIS!!! 

I received such a boost from this piece that I started on the next quilt by writing on fabric.

 

Eat, Pray, and Stitch

Outside looks inviting with the soft blue clear sky and the soft brightness.  Based on appearance I could think it is pleasantly warm outside.  The temps actually read too-cold-for-Karen-to-be-out.  My goals today included 3 things; eat, pray, and stitch.  I've been successful.  While sewing on a binding I reasoned that what I do well in my quilts is create good backgrounds.  When I start I aim for the entire quilt to be an all over focal point (it has a name but I can't recall it at the moment but remember it from Lorraine Torrence's book on design) but and once it is finished I become unsettled thinking it needs a more easily read focal point.  Here is a section of the quilt that I scanned.  The entire size is 24ish x 30ish.  I placed a 1/4ish binding around it. 

Some options I'll consider is adding beads in blues, a couple of circles in metallic or light blue threads in blue, and words from the poem in larger lettering using Scribble paints in blueish/grayish.  Also on tap for next week is picking up my Janome Jem from the repairman (don't ask, sad story), and selecting some hand-sewing I can do here at home and practice some calligraphy on paper and working through the artist's workbook on marketing.   

For all who might be interested I've started a Calligraphy and Creative Lettering group on Creative Souls (see sidebar).  It is for anyone at any skill level who has an interest in the graphic possibilities of writing, script, by hand or digital.  Also, I started reading Cherryl Floyd-Miller's latest book of poetry, Exquisite Heats.  Cherryl is also a quilt artist and her blog is here.  A beginning review of the book has been started on by book blog (see sidebar), My Eyes Have Seen the Coming of the Word.

And I ponder what should the New York Post suffer for its gross and cruel offense? (plus I'm still on the journey)

This morning I had a very distinct consuming Black moment...even more discriptive, Black American moment because my reaction (REACTion) was weighted by the peculiar history of the past and the not-so-past that is rooted and steeped in the formation of this country and its rise as a world power and the injustice of it all.  Check out the cartoon in the New York Post today and tailor your response (or not) to your own leanings as I most certainly will.  Beyond this I will not elaborate further as I will again hyperventilate.  For awhile now I've considered creating a cultural blog as an outlet for my essays on a wide range of topics but keep deciding no, since my RL is filled with a multitude of love and personal and intimate connections that I bounce with daily and as often as I need to.  There are joys and pains associated with living consciously and as encompassing as possible in the way I've chosen as an African American Woman...I'm sharing this much as a way to recognize that which is deep and the backdrop to everything I do today while also updating this journey I'm on as an art quilter which is the purpose for Seamless Skin (of which I could re-examine what I now intend by "seamless", but I will spare you and myself at the moment).

Monday I took myself on an artist date and went second hand browsing.  One place is kinda upscale antique mall...4 floors and is located in the building where I had my first job at 14 in a summer youth program.  I worked the same place for 2 summers as a typist and all around office grunt which included running a mimeograph machine which I thought was cool at the time.  I purchased this embroidered round, very sheer, placemat that feels like papyrus of all things.  It was a handmade thing that cost me a buck so I was thrilled.  I want to tranfer an image onto it but for now its pinned up high on the design wall.  I also went to another 2nd hand furniture dive that has great stuff but isn't located in a high rent district and found lots of old creative looking stuff but I only came out of there with a red linen table cloth.  I have this idea percolating around roughness representing hard times...for now it seems connected to the quilts on prayers.

Yesterday morning I reconnected with a dear friend over breakfast at Toast.  Hi Cari!  Its been close to three years since we've spoken, maybe longer, but it energized my spirit and after we parted I made an impromptu stop at Actor's Theatre to see Upfromsumdirt's piece in the exhibit in the lobby.  As prolific as he is I was underwhelmed with the piece he submitted.  He cultivates an "outsider" as in outsider art philosophy toward creating his digital images that he describes as Mythmatics(c) so he isn't all that open to input but if he ever wanted to know what I thought, Hi Ron, I"ve only viewed his strongest work at his solo shows and online and not in his group shows.

Now to my own artistic issues------I completed the quilting on the current quilt and its stretched out on the design wall drying for blocking...BUT! this puckering grates my last nerve and the solution I thought so brilliant a few weeks ago (embellishing with stones) just seemed a notch above stupid yesterday.  So my new BRILLIANT idea is to go whole cloth with 2 sections (the ones without any puckering) and create 2 smaller quilts.  The red section and the yellow one will be a go!  Peter didn't think the green section was as dynamic as the other two...he thought the green needed to be more intense to hang with the vibrancy of the green and yellow and the green is a shaded green and doesn't have as much going on in it as the other 2 panels.  Parts of the green section will be salvaged into postcards like I did with these from another quilt.

I also made my first fiber ATC's. 

One is destined to Emmy in the Netherlands.  If you'd like to trade with me, buzz me an email.

I have postcards like the ATCs for sale, 3 of which are listed on my new Etsy set-up.  Check here  or click on the page at the top of this blog.

Hangeth in...

Did I ever mention my aversion to winter? Okay, nevermind then. I'll move on.

Guess what this is?  Okay, okay, so what if it is still quilt #2 in the Poetry Series...if I wanted to be all technical about it, I could claim it as quilt #5 if I include the 3 smaller pieces that inspired this series to begin with, so there, now! And no, that is a gum ERASER and not chewing gum sitting on the pointy thing for the circular attachment.  I lost the little knob for it.

I was at the workshop for less than 10 hours this week, four of which included napping.  With the limited time I was there, I rearranged my workshop space again with the help of my youngest son, so the other hours had to be dedicated to doing the most important which was going in circles on quilt #2 above.  The weather is warming this weekend and I hope it holds through a few more weeks.  I had planned to be there today but I'm honoring my body's request for rest. 

I started physical therapy last week for the sciatica and it helped tremendously but I was unable to make it in 2 days this week due to muscle and joint pain followed by a trip to the ER which turned out to be for dehydration.  But the flip side of all the discomfort is the opportunity to stay still long enough to read through the stack of books about "prayer" I was able to get from the library before all the physical trauma. When I embark on my next series, I'm thinking it will be on Prayer.  If, this will be the 3rd of series work that I have going.  When I first started to think about doing a body of work I imagined that I would work on one quilt after another until a series was complete but that isn't and hasn't been the case.  I know that I could never keep up with what my mind thinks up so I tend to latch on to the ideas that become most compelling due to what is going on with me through experiences, emotions, and ideas.  Even though I'm reading on "prayer", I'm thinking that I'll do another Liberation quilt after I finish #2 in PS.  The Liberation quilts can be seen on my website (which isn't complete) at http://www.wix.com/karoda/karen-r.-davis 

Liberation (LS) was my first attempt at series work.  It came about totally unplanned.  In the first one my goal was to work with foiling and couching and applying metal on a quilt and while working on this quilt I would have this all encompassing sensation of being FREE.  The sensation would start out physically and then move into what is called in African American slang as "being on the one"...everything was vibing on the one when I worked on this particular quilt.  The second in LS, Cilium 2, has been in 3 shows and several locations and a few weeks ago I decided to retire it and hang it here at home in the hallway and the first one in my bedroom.  Here is Cilium 2 hanging up at the Calving Barn hallway at the Mary Anderson Center during a demo I was doing on silk fusion for Magic on the Mount Festival a few summers ago.  A partial view of Cilium 1 is the next photo.

   

For next week,  my goals are to focus on lettering/calligraphy and reading and going back through the workshop I took on digital collage brushes with Gail Schmidt from Creative Workshop ning group and a minimum of 5 hours at my workshop toward the end of the week.  Also, to return to physical therapy.

And I was going to leave this photo off, and not gush over the time I spent with my grandson this week but he is an old soul and she is just a wild woman and they brung me such joy :)

Meditating Over It...

Yesterday I sat in silent meditation with the quilt pictured in the post below and together we decided that the size cannot change.  To address the puckering concern, round donut-shaped stones in a variety of sizes will be added on.  The solution felt BRILLIANT!  The stones echo the motif of life being circular as well as a line from the poem.  I applied the evaluation techniques I learned in the Benn/Morgan Workshop.  I saw that the cloth was not as complex in layers as I previously viewed it and wanted more, so the additional embellishments will help some with this.  One of the comments that Claire Benn had made was that American surface designers tend to lean toward less layering than their European counterparts when making complex cloth.  (Not a judgement but an observation)  I want this series to be vibrant or intense AND sophisticated in appearance.  I spent about 3 hours yesterday evaluating this quilt...not continuously...I would write my observations and thoughts down between staring at the quilt.  I took brief breaks to start on another work in progress that I've named my Prayers series...the fabric is one dyed by Helene Davis that I picked up at AQS-Paducah years ago...I stamped it with a symbol for Sankofa and quilted it a long while ago.  I started the beadwork yesterday:

the beads are amber-coloured but the fabric is not this warm and is even a cool brown...the lights in the dining room gives off a yellow cast plus I couldn't remember how to turn off the flash.

The inspiration for Prayers came from the beaded prayers project by Sonya Clark.  In my last year of employment I came across her work and contacted her about doing a workshop with with the clients that utilized services where I worked.  We coudn't afford her fees and the interest in fundraising specifically for this project was not present in the Development staff.  I was deflated by it because I soooo believe in the art and health connection.  I have one completed in this series (story of my life) called The Faith of the Mother.  I've shown pieces of it on the blog but not the completed quilt...will try to get it photographed soon. 

Let the blessings rain on us all! Peace,

 

Things Fall Apart

And no, this is not a review of Chinua Achebe's novel! I had just two days at my workshop this week...I was going in today but find myself dealing with the pain of sciatica (something new for me) so I came home and today I will play with some calligraphy between drug-induced naps. 

Shortly after Christmas I had this pain in my hip/lower back and it progressed down through my leg in days following...sometimes it would seem to get better and sometimes I wouldn't feel it  at all but then last week I had tears flowing trying to get up in the mornings.  The pain would get better as I moved around but the mornings became horrendous! Finally went to the er and followed up with my doc and I'm trying to decide whether to take the PT she ordered or wait for a few weeks to see if there is any improvement.  I really do not want to accomodate the effects of taking the pain pill and the muscle relaxer...I have stuff I need/want to do and this is such an intrusion in my plans here!  Yesterday I did fairly okay without taking anything until the afternoon and had to miss a meeting with area textile and fiber artists.

The other problem which I knew was coming, came yesterday...my cutting table collasped!  (My mother's voice in my head "they saw you coming)  I purchased this table at Hancock's about 2 years ago and got it for 50% off.  I paid 50 bucks and it was the last one. Boy, did I feel smug and satisfied!  Well, when I set up the workshop back in the spring there was one problem screw that would not stay in...okay, I thought, I'll contend with it and just tighten it up from time to time.  Well since then every single screw has fallen out!  I would be in my workshop and here this "ping"...it would be the sound of a screw falling out and hitting the floor.  Every single screw that holds the top to the legs will not stay in.  Since I've been in a printing and sewing mode I've not had to use the table for cutting and have piled supplies on it.  Thinking that the weight of the supplies held the top down I really didn't give it too much thought (or just didn't want to deal with it)...well, like I said, yesterday it gave way...so I'm on the search for a replacement.  I've inquired about 3 wood kitchen tables on Craigslist between 20-40 bucks and am waiting for replies.  I'm thinking I could glue the current cutting surface to the top of a rectangle kitchen table and elevate it with risers.  A friend of my father's could build me one if I don't need it in hurry and he is the same one who I'm waiting to call about building me a sewing table...but he works full time at Ford and it is so up in the air when I'll have them.  I'm just kinda typing out loud here for the most cost efficient and immediate answer to this problem.

And if the sciatica and collasped table wasn't enough...with less than 1/6 of the quilting to go on the current quilt that measures 60"x40" (huge for me) I ran into some SERIOUS puckering where the fusible didn't adhere well.  I would rather make a whole new quilt than to try to take the quilting out (a hell of a lot) and pull apart the fabric from the batting to adjust it...so I thought cutting in down in size since the puckering is near the left edge.  The puckering you can see (click on image to enlarge) is not the worst of it either...I have that section folded back to see how adjusting the width would effect the overall design.  The yellow section is also wider than in the photo. 

 

My other idea is to sew down patches of stone and rock that form circles over the problematic area and across the quilt in other sections...The title of this quilt is "washing over the stone of our origin" or "stone of our origin" which is a line from the poem written on it. 

Ah, but the brave thing that I did yesterday was to re-fashion quilt study into postcards and trading cards...if you take a peek at my old blog, Art Going Postal, they are in the line with Urban Egression.  When I complete the edging I'll place them up for sale and trade on a page here and on my website. 

With the King Holiday and the Inaurugation to follow I'm really jazzed...I like to prepare what I call a Freedom dinner on King Holiday and listen to and read his speeches, especially The Letter From the Birmingham Jail.  I think I'm going to watch the festivities with my parents on Tuesday and possibly drop into one of the community gatherings around town.  How are you planning to spend Monday and Tuesday?