Seamless Skin

Low Technique Yields High Results

One of the suggestions Claire Benn gave us in May was to push the limits of one single tool...just commit to using one mark making tool everyday for a week in your studio.  A couple of weeks ago I did just this using a plastic card and did these...

But my new awesome favorite tool is this!

 click to enlarge.

The insert from toilet paper is a fantastic stamping tool.  I shape it into a pod, square, rectangle or odd shape  and just stamp with my medium of choice.  I must give a shout out to the fabulous Joanne Weis (toward the bottom on the post) for suggesting this in a LAFTA workshop she gave last year.

I'm engaged...

Mad Crazy Love for this piece of cloth.

this is what I'm talking about

Our weather has been really nice the last week...humidity not as high and temps in the 80s with dipping into the 70s at night.  Some spots of rain but nothing troublesome...even the gray overclouding we had I found relaxing. 

I can actually say now that going to the gym is habit.  I don't feel right when my routine breaks as it did on Saturday.  For those who know how I feel felt about exercise CAN I GET A WITNESS?!  Last week I went up to 30 minutes on the reclining bike with the programmed hills.  The exercise aggrevates the fibromyalgia but not to the point that I can't move or don't eventually feel better on the days I don't go.  And it really all boils down to my philosophy of "if I'm going to be uncomfortable or in pain, I might as well be so while doing something I want to do or have fun anyways".  That waiting for the perfect time or when things are just right or all the lights are green just doesn't happen...

Congratulations are in order to MudMan, my brother.  But I can't say why because there is the need to keep it hushed for reasons personal to him.  I've been bursting at the seams wanting to share it here since it relates to his life as an artist.  pssst, family and friends, email me for the news on the downlow ;)

As for me, I'm working into a groove but not quite there yet.  I've made this cover for my iPod and was proud of myself for figuring out how to put the snap on.  Its a project from Alissa Burke's book, Canvas Remix.  It (the case, not the book) is coated with polyurethane which makes it feel coarse.  I'm going to make another one without the coating.

I'm still playing with the graffitti look on canvas and the combining of techniques from the online class, Graffitti Chic, taught by Alissa.  I love the Ning format for taking online classes compared to the other formats I've taken.

Taking this class has got my eyes tuned to graffitti as I drive around town.  Yesterday I found myself wanting to make a sudden spontaneous stop to get out of my car and walk across a large gravel parking lot of a industrial business, cross train tracks to get a closer look of some very ornate lettering on parked train.  I didn't.  But I experience that urge daily whenever I come across graffitti now.  I like to think of graffitti artists as calligraphers who think really big.

I cut this stencil out from a photo of Peter when he was a young fierce teen-age warrior for the revolution. ;)  (incoming divergent thought:  we already know that the revolution will not be televised...but, will it be blogged?)  I might do another stencil of him as the now aged fierce tomato grower.  I get a daily tomato plant report with such detail and passion.  He is so cute with his serious passion for his tomato plants.  Reminds me of the days when we spent hours sitting in the Afro-American Reading Room solving all the social and political ills of the world when I decided he wasn't as square as I thought he was.  Oh my words, I'm cracking myself up here.

This piece has gone through some changes.  The base is silk paper.  Its been beaded 3 different times.  Yesterday I removed the beads and painted inside the squares with pearl-ex powders mixed into a textile medium.  In spite of really liking it just as you see it here, I'm leaning toward making it a cover for a journal.  It is 3 layers, but the edges of the silk paper which I didn't want to tame extend beyond the bottom 2 layers which end at the sewn line.

Right before leaving my workshop yesterday I sat and took in the space that I've been in now for a little over a year.  I sat reflecting on the on-going challenges of health, finances, deferred dreams, family conflicts, etc. and felt thankful for the Grace which is allowing me to have a space and abundance of materials to explore my imagination and artistic heartbeats.

To top it off, I came home to Kyra E. Hicks' new book!!!! I waited patiently to open the package while I listened to Peter's tomato report but just as soon as he finished I ripped it open and was like "look, look, look"!  I had to explain who Harriet Powers was to him and why the book was signficant and then I saw the pink sticky notes...couldn't contain my excitement...Kyra is kind enough and gracious to have blessed me by mentioning Seamless Skin.  Seeing myself and my blog referenced gives me an ethereal feeling.  Do you ever ponder humanity from a soul-physics point of view?  My mind is too small to grasp it but I do ponder it often...even tring to conceive how each individual small inhale and exhale we take effects change across the globe and if one breath has impact then what can be said of our breaths compounded.  Have you ever seen the African cylinder sculptures of humans interlocking to form a tower?  Maybe this is the way that particular culture or artist(s) understand what I ponder...how our small individual lives connect to form spiral cylinders that increases our humanity for the greater.  Lord know that scholarship on Harriet Powers is not exhausted and I never could have imagined or envsioned that my small breath would ever be of assistance.  But we can only see what we can see and living life larger means keep trusting the process and stepping out on belief (i.e. what I cannot see but know to hold truth).

I'm going to commune with some trees today with a grand-sistah-poet and tomorrow will be hanging out with Juanita, my quilt guru, who is here teaching some classes! All praises to the Most High!

Peace, 

 

Retrospective in Photos

 

First, a cuppa tea. 

 

My assignments from online workshop, Graffiti Chic with Alisa Burke.

 

And I thought it was finished.

 Six by Twelves in the making.

The 5 images below summarize our staycation week activities.

 

Jefferson Memorial Forest

 

One of the many toys made by Marvin Finn for his children when they where young.

 

Another early Finn toy.

 

This is a small representation of what Finn is famour for.

 

Mr. Finn, I believe painted by his son, who carries on his legacy in wood.

 

Such an elegant shape in glass.  The five above images were taken at the Kentucky Musuem of Art & Craft.

 

Family Funny Business at Lynn's Paradise Cafe.

  

A day trek to the Columbus Zoo

And finally...what is this?  I picked them up from the ground at Yew Dell Gardens.  Some type of conifer?  I'm in love with the shape and colours.

I'm just a simple peasant woman

so why do I attempt to multi-task?  No, I haven't completed a quilt; no, I haven't started Color & Composition with the Debbie Babin's Yahoo group; no, I haven't scheduled the PT for the sciatica (since its gotten somewhat better, trying to wait it out); no, I haven't photographed the rest of the quilts in order to complete my website; no, I haven't completed One Hundred Years of Solitude (have 25 pages to go and I don't want it to end...I'm really gonna miss the crazy Buendias and the village of Macondo)and I'm sure there are some other things I could answer no to...BUT, yes, I've discovered Ning (see my sidebar) and I love the sites for the complete integration of all social networking on the net; yes, I found a way to get the critiques of my work on the Fiber Focus site via the Awful Truth (for the thick skinned); yes, I've talked to 2 different men on making the sewing table from the plans I ordered from Keepsake Quilting (waiting estimates so I can yea or nay the idea); yes, I'm still in love with casual forms of Calligraphy as opposed to the highly decorative scripts; yes, I've discovered Photoshop Elements (came with the scanner but I wanted to learn its big brother Photoshop which I haven't done); yes, I'm enrolled in an online workshop, Creating Custom Digital Brushes with Gail Schmidt at Creative Workshop (another Ning group); yes, I've started one of the art marketing books; and yes I have a give-a-way and a trade!!!!

I have the Premier Issue of Where Women Create, a Stampington Publication:

 

I'll draw a name from a bag this coming Wednesday night from commentors to this post and announce the winner Thursday with a new post.

And I'd like to trade something for the book that led to the creation of the magazine.  What you ask do I want in trade?  I dunno...make me an offer here or via email at seamless_skin (at) yahoo (dot) com for something.  I'll announce what I chose from any offers that I might receive on Thursday...if I get nothing, it will go into the grab bag at the next LAFTA meeting.

 

And I like to unveil one of my stamps created in PSE...for me this is a big deal!  I call it "Do you remember when we were in Paris?"

Making quilts marks time

In comments to the previous post, Karen made the suggestion of using shear fabric for the auditioned letters...I was thinking transparency in either a sheer or using (the brand of inks I can never spell or say but begins with a t and has the word sun in it) inks. 

 I also thought about having the letters cast shadows to create even more depth which I think would work because of the glowishness of the yellow in suggesting light.  To quote from my lil' brotha's critique, "no...hell, no" on the letters...he thought it was too pretentious.  But as he also reminded me, its all up to me in the end, and he is right because the last time I checked I was three times seven and then some.

After more time spent Saturday meditating on it some more, I temporarily decided to wait some more...how profound, uh?  But that is all I could do, so with trusting the process, I moved onto a new piece that I wasn't feeling until I added the whiteish lines and then that opened me up to add the faces...there is a line in the poem that goes: African ghosts cry in sunset hours.  The faces appear ghost-like and also embody communion/community with the multiple prints. 

  The metallic-ey green is just too heavy at the top so I do know for sure that this piece will be cut up instead of keeping it a whole panel.   The names you see in the bigger letters are names found in the cemetery where many of my mother's side are buried.  The underlying poem written on the cloth is about a visit there some 18 years ago.  I was newly pregnant with my youngest son then.  The poems, the quilts, the children all help me keep and mark time, I don't trust my memory alone. 

 

Ya know, I haven't dyed fabric all year!

I'm excluding the playing I did to see what the iDyes where all about and I'm excluding the painting on fabric.  I mean the get down and dirty, pull out the equipment, and just let go with yards of fabric kinda dyeing.  Well all that is about to change starting tomorrow.   I have a free day over at MACA and I'm going to anty up for an additional day and I'm going!!!!!!!!!!!  Ade went with me this evening to finish loading my auto.  I was going to "FOCUS" this time and not try to squeeze in every single surface design technique known to humankind.  I was almost there until the last hour of packing when I went through that "I'll take this just in case.  I might need that!  Well I can work this in too" and I've over packed...a real clear clue was when I opened the door and my 2 glass jars of thickener (sodium alginate) fell and broke.  If I remember to take a picture of my vehicle before I unload it, I'll make sure to post it here. 

I decided not to dye at my workshop.  The water source and the rinse out methods that I have to use makes it too too labor intensive and uncomfortable.  Plus too much other things are going on in the space and going outside leads back to being too laborous for me to enjoy it. 

Monday and Tuesday I spent time decluttering and replacing items and taking inventory.  Partly in preparation for the Benn/Morgan workshop coming up.  I vascilate between excitement to jitters.  Excitement due to the preparation of having to put a design board together prior to the class and bringing my intent while remaining open to new ideas; jitters due to hoping I can keep up and meet the demands of being in a group setting versus working solo at my own pace.

Yesterday I worked on cutting stencils from file folders as is demonstrated in the book Complex Cloth by Dunnewold.  I used copy-free designs just to practice and will do some more later on tonight if I don't get too tired.  I'm thinking I better try to turn in early though...yeah, better turn in early and not fool around with sharp tools this late at night.

Peace,