Seamless Skin

...And Still I Rise

Update

How good it feels to write a new blog post!!!!  How good it feels that Spring is here!!!!  

Louisville is #3 in the nation for the worse pollen count.  It wrecked a little bit of havoc on my lungs in spite of the emotional uplift the warmer temps gave me.  I just kept yo-yoing with chest crud until I had a brief 4 day stay in the hospital.  In between feeling good/feeling bad I kept plugging along on the boats...

Happy to report the hand embroidery is done and it is ready for quilting...but here is my plan...to continue on to the next quilt(s) and then sometime in mid summer go hog wild, (bat crazy, mad cow) with quilting all the tops.  This year's goal is all about production (don't get too excited...I work slow even when I'm fast).  My goal was to have the "boats" completed by the end of Feb. and it didn't happen until mid-March.  

You may recall me mentioning that my sewing construction studio is in storage due to my mother moving into senior housing.  For months I considered renting a 2nd Mellwood studio to set it up once the storage contract ends.  I turned over the idea of sharing a 2nd space, subleasing, etc.  It was my anxiety talking over not having my design board, fabrics, sewing desk that holds my main machine, etc. accessible.  I spent the first part of this week clearing the studio to make room for at least my sewing desk and to begin the next quilt with the attitude of "making do equals can do". Peter and Ade will haul through the storage unit and pull it out and deliver it this weekend.

Yesterday I actually sat down to begin the preliminary studies for the next piece.  Two of the three studies I finished...one is a thread sketch, this one using tsukineko inks.

The next one will be raw edge applique.  While doing them, the question in the back of my mind is "how can I make the imagery more abstract and still capture the event?".  It  will be a Kentucky Derby quilt.

Blog Love

I don't remember how I stumbled into Karen Walrond's blog and website, Chookooloonks.  I think maybe her book, The Beauty of Different, kept coming up on Amazon's recommendations.  She offers an on-line magazine workshop that offers gratitude prompts with photography prompts called Gratitude 2012.  Karen is an award winning, jet setting photography whose blog exudes kindness, humor, and beauty.  I enrolled in the workshop yesterday.  It is 5 dollars a month and 40% of the fee she donates to Kiva.  

Also, yesterday I discovered the website (thanks to Pinterest) and blog of fiber artist Diane Melms.  I've always wanted to improve my photo-documentation by showing the process involved in completing a piece from start to finish.  I think I'm too wordy to be as succinct as Diane or as succinct and poignant as blogger Judy Martin, another blogger I enjoy reading.  

Wrap-up

Time for a change.  I've been with Typepad now since I first began blogging back in '04.  This is a fee based blog and I'm at the lowest level.  In order for me to customize I would have to jump up to the next fee level and that ain't happening.  Blogspot offers customization and it is free.  My hold-up is anticipating the learning curve (the headache) of moving content.  This will be a goal for April.

Tonight is F.A.T. Trolley Hop.  I will not be having Open Studios but will be around with Carter, my 3 y.o. grandson and Anaya my 2 y.o. granddaughter for a few hours (at least this is the plan) visiting the other studios and galleries at Mellwood.  

 

Six Years, but whose counting...?

There are 2 exhibits with November 1st deadlines which I've just given myself permission to not submit. My focus has been dye painting and screening and my muscles are feeling fatigued and I'm releasing the will to push myself the next 2 days.  I did make it to the Open Studios and many artists were in their studios which is always energizing but rest will be the focus for the weekend.

There are 10 pieces of dye-painted fabrics wrapped in plastic that will cure over the weekend, possibly until Tuesday or Wednesday.  I'm on the schedule to to do some campaign calls for Monday and will be at my Mother's for bit also.  Tuesday I'm on the schedule for a few hours to drive folks to the polls so I'm not sure when I'll return to do the wash out.  The piece shown in the post below had very little dye wash out but I dye painted it again yesterday with a chocolate brown.  Here it is before the brown was applied:

I'm sold on curing AND steaming.  

It dawned on me yesterday that I'm focusing on dark colours...for no apparent reason but if I were to go all hyper-analytical I would say because I'm dreading the onslaught of winter and the need to readjust my activities due to it getting dark earlier.  But really that would be over-reading the intent.  I think it boils down to 'I'm just dyeing dark colours', (insert shrugging shoulders)

My presentation at the Carnegie last Saturday was a lot of fun for me and hopefully for those who shared the morning with me as well.  What keeps coming back to me is the clarity in which I knew that art-making is a conversation with my body and I used the metaphor of it being a dance that allows me to explore my limitations and sense of freedom.  The surface applications on fabric is hip-hop and the quilt design and construction is the waltz and modern dance sequels. 

This was the last piece I did yesterday and I was tired and don't know where the face came from but right before I did the face I asked myself "what else can I do with the writing?"  I've been doodling faces on scraps of paper and looking back over my attempt at faces in old journals...I do think it'll be a long while before faces as a motif makes it into a quilt but I'm open.

November 4th will be my 6 year anniversary of blogging...for 6 years I've been typing out loud about my journey with the main focus being my own art.  I hope casual readers and dedicated readers of Seamless Skin find some nugget that moves us closer to kindred spirits that keeps and increases the use of the internet as a fully positive human one.  

Beginning next week I'm going to add a new feature on my blog with interviews of local artists.  I'm starting with members of Louisville Area Fiber and Textile Artists.  When I'm at meetings I'm overwhelmed with all the creative vibes and the group experience that I'm wanting the interviews to be the counter-part and allow me to connect and get to know members as individuals.  The first one will be with ceramist and shibori artist Elmer Lucille Allen (see the video below) who has an upcoming show with Valerie White at E & S Gallery.

 

 

Peace,

As I typed this Martha Stewart demo'ed how to make felted soaps.

One of my favorite tunes that Cheryl Lynne Skinner use to sing when she performed locally had a line that said "i'm sitting in the house with everything on my mind, looking at the clock and can't even, can't even, tell the time". 

dig the gold by Liquitex!  

Amazingly, I'm calm and cool and relaxed even though I've not left my domain since coming home from the hospital.  I'm even letting the fingernails grow...(a little idiosyncracy about me, I clip them short because I do not like the whites of my nails to show and have never been a fan of long nails even when I had regular manicures done at salons...nail techs found me odd that way.  But this obsession with clipping them short as I do started about 3 years ago when I was going through some BS with my daugther and I just never stopped.  I also found short nails to be better for handling paints and dyes so it just made sense to continue.)

 beginning a new "design writing"

If I'm honest with myself, it will be March before I return to either The Basement Workshop or The Beauty of Holyness Studio.  The comments in the previous post boosted my spirits.  The idea to start "design writing" came intuitively without any preconceived ideas of where the lines and values would go.  I just kept changing up pens and writing anything from what I heard on tv, what the doctor said to me, something I recalled, or a slew of emotions.  The idea Mai-Britt offered to make copies and experiment with colouring them was like "a duh, why didn't I think of that" moment.  Thanks Mai-Britt for the idea.  I haven't been in Photoshop in so long that I didn't feel up to taking in sharp turns in my brain by trying to recall how to do layers, but when I do feel up to I think I'll try working them with colour that way. 

  

i got carried away

Deborah's idea to start a study made me go "wow! i'm going to do an entire journal, page after page design writing"  I dig this!  Then Acey suggested seeing them stitched and I thought "ummm, did she mean stitched paper quilts...thats cool, I've never done one...or did she mean print them on fabric, ummmm saw a quick layout in my head...then I thought a paper and cloth quilt!"  I dig this also.  The art of holiness and the holiness of art is that it is regenerative on soooo many levels, one being that it draws community, and out of community, one finds their tribe.  So thank you to all who commented, one love!

doodling faces to mimick Ethiopia artists.

this is what I'm talking about

Our weather has been really nice the last week...humidity not as high and temps in the 80s with dipping into the 70s at night.  Some spots of rain but nothing troublesome...even the gray overclouding we had I found relaxing. 

I can actually say now that going to the gym is habit.  I don't feel right when my routine breaks as it did on Saturday.  For those who know how I feel felt about exercise CAN I GET A WITNESS?!  Last week I went up to 30 minutes on the reclining bike with the programmed hills.  The exercise aggrevates the fibromyalgia but not to the point that I can't move or don't eventually feel better on the days I don't go.  And it really all boils down to my philosophy of "if I'm going to be uncomfortable or in pain, I might as well be so while doing something I want to do or have fun anyways".  That waiting for the perfect time or when things are just right or all the lights are green just doesn't happen...

Congratulations are in order to MudMan, my brother.  But I can't say why because there is the need to keep it hushed for reasons personal to him.  I've been bursting at the seams wanting to share it here since it relates to his life as an artist.  pssst, family and friends, email me for the news on the downlow ;)

As for me, I'm working into a groove but not quite there yet.  I've made this cover for my iPod and was proud of myself for figuring out how to put the snap on.  Its a project from Alissa Burke's book, Canvas Remix.  It (the case, not the book) is coated with polyurethane which makes it feel coarse.  I'm going to make another one without the coating.

I'm still playing with the graffitti look on canvas and the combining of techniques from the online class, Graffitti Chic, taught by Alissa.  I love the Ning format for taking online classes compared to the other formats I've taken.

Taking this class has got my eyes tuned to graffitti as I drive around town.  Yesterday I found myself wanting to make a sudden spontaneous stop to get out of my car and walk across a large gravel parking lot of a industrial business, cross train tracks to get a closer look of some very ornate lettering on parked train.  I didn't.  But I experience that urge daily whenever I come across graffitti now.  I like to think of graffitti artists as calligraphers who think really big.

I cut this stencil out from a photo of Peter when he was a young fierce teen-age warrior for the revolution. ;)  (incoming divergent thought:  we already know that the revolution will not be televised...but, will it be blogged?)  I might do another stencil of him as the now aged fierce tomato grower.  I get a daily tomato plant report with such detail and passion.  He is so cute with his serious passion for his tomato plants.  Reminds me of the days when we spent hours sitting in the Afro-American Reading Room solving all the social and political ills of the world when I decided he wasn't as square as I thought he was.  Oh my words, I'm cracking myself up here.

This piece has gone through some changes.  The base is silk paper.  Its been beaded 3 different times.  Yesterday I removed the beads and painted inside the squares with pearl-ex powders mixed into a textile medium.  In spite of really liking it just as you see it here, I'm leaning toward making it a cover for a journal.  It is 3 layers, but the edges of the silk paper which I didn't want to tame extend beyond the bottom 2 layers which end at the sewn line.

Right before leaving my workshop yesterday I sat and took in the space that I've been in now for a little over a year.  I sat reflecting on the on-going challenges of health, finances, deferred dreams, family conflicts, etc. and felt thankful for the Grace which is allowing me to have a space and abundance of materials to explore my imagination and artistic heartbeats.

To top it off, I came home to Kyra E. Hicks' new book!!!! I waited patiently to open the package while I listened to Peter's tomato report but just as soon as he finished I ripped it open and was like "look, look, look"!  I had to explain who Harriet Powers was to him and why the book was signficant and then I saw the pink sticky notes...couldn't contain my excitement...Kyra is kind enough and gracious to have blessed me by mentioning Seamless Skin.  Seeing myself and my blog referenced gives me an ethereal feeling.  Do you ever ponder humanity from a soul-physics point of view?  My mind is too small to grasp it but I do ponder it often...even tring to conceive how each individual small inhale and exhale we take effects change across the globe and if one breath has impact then what can be said of our breaths compounded.  Have you ever seen the African cylinder sculptures of humans interlocking to form a tower?  Maybe this is the way that particular culture or artist(s) understand what I ponder...how our small individual lives connect to form spiral cylinders that increases our humanity for the greater.  Lord know that scholarship on Harriet Powers is not exhausted and I never could have imagined or envsioned that my small breath would ever be of assistance.  But we can only see what we can see and living life larger means keep trusting the process and stepping out on belief (i.e. what I cannot see but know to hold truth).

I'm going to commune with some trees today with a grand-sistah-poet and tomorrow will be hanging out with Juanita, my quilt guru, who is here teaching some classes! All praises to the Most High!

Peace, 

 

Real people writing blogs!

Rayela at Fiber Focus invited me to be a guest blogger.  I tried to expand on the motivations behind the poetry/quilt connection beyond what I've shared here at Seamless Skin already.  It falls under the heading of "tell them so I'll know".  I have noticed a decline in my writing skills and even speaking, although I've never been one to talk a lot.  But often times I go back and re-read something I wrote and I'm like "what the hell where you trying to say?"    Being a guest at someone else's blog felt weighty but in spite of the numerous re-writes I still think I could have been clearer and more concise...go take a read and tell me what you think...if something isn't stated well or an idea not clear...ask me questions to help me improve...thank you for your time.

I hope when I'm in Paducah next month that I'll be able to me Rayela in person.

head+heart+hands=quilt

Earlier in the year I upgraded my Typepad membership with the intent of centralizing my blogs.  I wanted 2 other blogs for my photo imagery and another for showcasing my finished quilts for marketing.   An upgrade was also going to allow me to customize my headings but after months at the upgrade level the extra 40 bucks just hasn't been worth it.  Hopefully Typepad will know to delete my other 2 blogs and not this one since I wasn't asked at the time I downgraded a minute ago.  My new set up for photo images is now on wordpress at eyepiece: an amateur takes aim.  I'm looking at free website hosts or nearly free for a website, specifically Homestead and EasySite and Google.

Yesterday I started quilting on another of the smaller pieces in the 725 series:

I'm working my way up in size with the hope that once I get to the 3 largest pieces, everything in my head and heart and hands will be conveyed into the quilt.  While we where away last week I started with hand embroidery which turned out to be a waste of time.  When I returned home I viewed it through the red plastic that comes with the 3-in-1 colour wheel only to see the value was the same as the background.  The red pebble quilting was fmq and adds a subtle change in value and the neon green thread blings.  I used the circle attachment for the larger circles.  The neon green thread lines float over the other layers so well-Yea for color theory!

What I forgot to anticipate was shrinkage caused by quilting and now I see the piece as too narrow.  To solve this problem I'm considering one of the following:

1. cut it down in size
2. remove the top and bottom border
3. change the orientation from vertical to horizontal
4. attach the 2 other panels which poses a new challenge for me as I've never attached panels that where already quilted.

The other issue is whether to screen "725" over the piece or screen just one digit per panel since this piece has 2 other companions.  I'll have the weekend to think it over but if you have any suggestions before Monday, comeback and leave a comment or email me

Peace!

Going blank for a title, but read it anyways...

Mo and I had a late lunch.  She was excited about scoring the highest A on her summer mid-term in her Intro to Pan-African Studies and blabbed on and on about how she is among the few of the 20 students who seem to have had previous exposure to some of the topics of discussion.  I refrained from getting snarky but I did gently remind her that her mother (me) was aiming for a double major back in the day in Educational Psych and Pan-African Studies...(I was only 4 courses away from the PAS major but I was more ready to be done with school).  It is a little reassuring to see some of what I've tried to incorporate has stuck. 

Yesterday I worked on quilting preliminary studies for The Poetry Series.  I finished 2.  The one above I'm putting in seed stitches and decided afterwards that the larger pieces really call for machine lines.  The machine lines seem more of a compliment to the organic nature of the surface design of the fabric.  Brings in more a sense of order without taking over...and for the same reason I'll put on a small binding.

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How about one big collective "ahhhhhhhhhhhhhhhhh"?!  How beautiful!  Grace, blog author at Barnyard Chatter awarded me one of her hand-dyed fat quarters for being one of the winning recipients of a blog contest she hosted. Right now, I'm leaning toward placing it into one of the poetry quilts.  Reds, Greens, and Yellows are the main colours.  Thank you Grace.

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I enjoy blogging because I enjoy writing and it has also helped support my novice interest in taking photos.  It enhances self-communication as well as communicating with others and I've found myself wishing that more family and friends would blog. 

A few days ago I picked up a new local publication that profiled "The Creative Class".  It profiled about a dozen or so artists in this city and how they have impacted the image, economics, and culture of Louisville.  Since I'm not one to be all up in the mix, I appreciated the coverage and wished for more coverage of local artists, emerging and well established.  Then I thought, "if" I had the energy and time I would start a blog for just such a purpose.  It would make communication with other artists more accessible. If you're from Louisville and you're reading this, feel free to take this idea and make it your own! 

Willie Pearl is never far away.

The red cloth started out as one of 3 panels (the other 2 can be seen in the post below) that where to be sewn together.  But the design was altered today and to my surprise Willie Pearl found herself as the focal point on this one.  She had been pinned to the side of the design board with some other experiements I did almost 2 years ago with printing photos on cloth.  I pinned her up there as a way to remember to experiment again some day in the future...well I guess some day was today.  It surprised me but its very fitting since the poem written on the red cloth was inspired by her and her home.

She will sit there until next week when I return to see what she wants to do next?

And I'm promising myself that I will customize my blog heading before the month is over.  I upgraded on typepad to create a blog that is connected to this one but solely for visual of my quilts.  Its not set up yet as I've yet to make time to photography them.  I think I will feel better about interrupting my time to photograph them after I these tops quilted.